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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院廉政第一击养家之人枪手2024宅男腐女恋爱真难哈姆雷特 1996切尔诺贝利·禁区-无人原样而归第二季斯宾塞向日葵之丘·1983年夏单身黑人女2：西蒙娜的复仇亡命徒致命请柬我的奇怪朋友第二季朱迪禁忌零号追杀粤语新殊途同归第二季明星的恋人无形杀机铃儿响叮当幻城马背传奇谁在这个城市挑战者即便所有的恋爱终将结束当家小娘子傻儿师长1992立地成魔炸药先生：詹姆斯·布朗的崛起2024第十四届北京国际电影节双面劫匪
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院廉政第一击养家之人枪手2024宅男腐女恋爱真难哈姆雷特 1996切尔诺贝利·禁区-无人原样而归第二季斯宾塞向日葵之丘·1983年夏单身黑人女2：西蒙娜的复仇亡命徒致命请柬我的奇怪朋友第二季朱迪禁忌零号追杀粤语新殊途同归第二季明星的恋人无形杀机铃儿响叮当幻城马背传奇谁在这个城市挑战者即便所有的恋爱终将结束当家小娘子傻儿师长1992立地成魔炸药先生：詹姆斯·布朗的崛起2024第十四届北京国际电影节双面劫匪