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"Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists. Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora. With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés. In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further. By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."小草影院韩国电影神马影院光棍影院星空影院阿加莎·克里斯蒂之七面钟荒野独居第九季谍影迷情第五季特丽独行巴斯比凶杀重案实录：纽约第二季兰奇始石疯暴金属口红教堂实录太阳之歌你疯了吗死亡信件从前有个刺客寒椿竞速求生非我所愿第一季足球大战陌生邻居极端份子龍咁威2003孤独的人以吻之名2018黑火犯罪生活小明和他的小伙伴们缔灵爱之默水玲珑暗场比赛异度空间鬼谷神珠
"Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists. Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora. With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés. In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further. By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."小草影院韩国电影神马影院光棍影院星空影院阿加莎·克里斯蒂之七面钟荒野独居第九季谍影迷情第五季特丽独行巴斯比凶杀重案实录：纽约第二季兰奇始石疯暴金属口红教堂实录太阳之歌你疯了吗死亡信件从前有个刺客寒椿竞速求生非我所愿第一季足球大战陌生邻居极端份子龍咁威2003孤独的人以吻之名2018黑火犯罪生活小明和他的小伙伴们缔灵爱之默水玲珑暗场比赛异度空间鬼谷神珠