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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院血染黄沙猫物语(白)辣手回春我们一直住在城堡里疯囚长夜漫长美好的星期五白发魔女传粤语见鬼发财寂静山林杨六郎智破连环计鬼马功夫外滩警事独自等待后宫风韵传之霓裳玉女寂静之地2盲流感敦煌千年不散的宴席欢乐一家亲(新版) 第一季谁是鬼?成龙历险记第三季鹿鼎记1992狄仁杰之夺命妖僧聪明女孩桃色交易缇可春季篇刘易斯探案 试映集死神1962青梅之恋那之后怎样了森冤（国语版）
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院血染黄沙猫物语(白)辣手回春我们一直住在城堡里疯囚长夜漫长美好的星期五白发魔女传粤语见鬼发财寂静山林杨六郎智破连环计鬼马功夫外滩警事独自等待后宫风韵传之霓裳玉女寂静之地2盲流感敦煌千年不散的宴席欢乐一家亲(新版) 第一季谁是鬼?成龙历险记第三季鹿鼎记1992狄仁杰之夺命妖僧聪明女孩桃色交易缇可春季篇刘易斯探案 试映集死神1962青梅之恋那之后怎样了森冤（国语版）