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After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle) 小草影院韩国电影神马影院光棍影院星空影院新人肉叉烧包重庆谈判神秘五金行好运来2025通灵之战 第十五季摩登女郎1929神之水滴2023A面B面猩红山我们的紫荆花——庆祝香港回归祖国25周年云歌会第66号当铺黑金1997粤语直男追爱手册同妻俱乐部第二季我就是演员维尔·达斯：失之我幸夏洛克：未叙之章 特别篇跟着唐诗去旅行第一季：我和诗圣做搭子乡间高低路小屁孩日记2荒野的寿飞行队朝圣1933谍影迷情 第一季暂停编年史冒牌监护人之寻宝闹翻天丑小鸭的天鹅湖拳铳残酷物语完美隐藏糖果神探怪物岛 （国语版）
After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle) 小草影院韩国电影神马影院光棍影院星空影院新人肉叉烧包重庆谈判神秘五金行好运来2025通灵之战 第十五季摩登女郎1929神之水滴2023A面B面猩红山我们的紫荆花——庆祝香港回归祖国25周年云歌会第66号当铺黑金1997粤语直男追爱手册同妻俱乐部第二季我就是演员维尔·达斯：失之我幸夏洛克：未叙之章 特别篇跟着唐诗去旅行第一季：我和诗圣做搭子乡间高低路小屁孩日记2荒野的寿飞行队朝圣1933谍影迷情 第一季暂停编年史冒牌监护人之寻宝闹翻天丑小鸭的天鹅湖拳铳残酷物语完美隐藏糖果神探怪物岛 （国语版）